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Palau de la Música de
Barcelona |
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The brilliant success of guitarist Fernando Espí is the result of his an
innate musical sensitivity, combined with a solid technical grounding.
Considered by the classical music press to be ‘one of the greatest
Spanish classical guitarists’ (Ritmo), and ‘an emerging new talent...an
outstanding guitarist of the new generation’ (Classical Guitar), he has
also been situated ‘amongst the most shining interpreters of the six
strings’ (Scherzo).
Fernando completed his advanced studies at the Alicante Conservatoire
under the tutelage of José Tomás, winning the Extraordinary End-of-Course
Prize in 1997. At the same time he took part in various international
courses under the supervision of prestigious guitarists such as Manuel
Barrueco, David Russell, Carles Trepat, Pavel Steidl and Ignacio Rodes,
and he completed postgraduate studies at the Escuela Luthier in
Barcelona with Arnaldur Arnalson. He has obtained a professional
qualification in Performance in early plucked-string instruments and
received lessons from Hopkinson Smith, Rolf Lislevand and Xavier
Díaz-Latorre. He is also a graduate in Science and Music History.
Fernando has been a prize-winner at major national and international
guitar competitions, including the Jeunesses Musicales of Spain, the
Princess Cristina Guitar Competition at the Guerrero Foundation in
Madrid, the José Tomás International Guitar Competition of Petrer, the
Luys Milán International Guitar Competition of l’Olleria and the
Francisco Tárrega Competition of Benicasim.
Fernando’s concert career has taken him all over Spain, performing as a
soloist at major festivals such as the Guitar Festival of Córdoba and
Music and Dance Granada Festival, and at venues such as the National
Auditorium in Madrid, Auditorio Manuel de Falla in Granada and the Palau
de la Música in Barcelona where he played the famous Concierto de
Aranjuez by Rodrigo. He has also played at halls and festivals in more
than twenty countries across Europe, America, North of Africa and Asia,
collaborating with official entities like the Spanish Cervantes
Institute or the UNESCO World Youth Choir.
Fernando combines a busy concert career with teaching masterclasses as
part of various guitar courses and festivals. He is also Artistic
Director of the International Guitar Festival Ciutat de Xixona and has
created his own record label, 6x8. His recordings have received high
critical acclaim from the classical music press.
Concert Reviews
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“With extreme precision and a great sense of nuance, Fernando
Espí plunged the entire auditorium into a state of total
euphoria” |
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L'Orient-Le Jour |
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“…a soiree filled with fantasy and art. The guitarist Fernando
Espí demonstrated this excellent technique which amasses to a
great sensibility and professionalism. The audience rewarded him
with a prolonged ovation” |
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Diario de Burgos |
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"Fernando Espí's technique was great...We were mesmerized by the
lovely sound of his guitar”. |
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Payvand News |
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"He delighted to the public with an impeccable execution in all
the aspects. Those that we had the privilege to appreciate it,
we left with the sensation to have received a bath of inner
beauty” |
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Guitarrasweb Magazine |
Recording Reviews
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“The interpretative tone remains at he ideal (if not idyllic)
level to be expected thanks to the talent of the young guitarist
Fernando Espí. An essential disc for any music-lover”
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Melómano, “Francisco Tárrega: Works for Guitar” |
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"Fernando Espí locates itself with this recording between the
most shining interpreters of the six strings. Its sensitivity
only can be compare to the security of its technique, and its
virtuosity to its poetic touch... It is a disc without waste
that allows to appreciate its interpretative high altitude...” |
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Scherzo, “Francisco Tárrega: Transcriptions for Guitar” |
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"Fernando Espí adopts a historically informed approach. The
results are sometimes beautiful, sometimes exciting...” |
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Gramophone, “Francisco Tárrega: Transcriptions for Guitar” |
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"...an engaging and varied survey of the 16th-century guitar-family
repertory -as well as a splendid calling card for a very gifted
and promising performer, whose playing is musical and confident
throughout. The sound are wonderfully clear and resonant....specially
charming" |
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Early Music, “Dezidle al Cavallero” |
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